Leaves have three main parts:  The petiole, a stalk-like structure that connects the blade of the leaf to the stem of the plant. Some leaves don’t have petioles,  and are known as sessile leaves. The blade or lamina, usually the largest part of the leaf.  The edge of the leaf or the leaf margin may be described as entire, toothed, or lobed. The oak leaf, for example, is clearly lobed. The blade has many veins, forming a network, carrying water and nutrients, The base, the base is the region of the blade that attaches to the petiole. A leaf is said to be simple if its blade / lamina is undivided, if the ‘teeth’ or lobes do not reach down to the main vein of the leaf.  A compound leaf has several leaflets, which join up with a single leaf stalk or petiole. When identifying tree leaves, it is always important to look for the petiole,   as a single leaflet of a compound leaf can look like a simple leaf.  More details of leaf and tree structure can be found on this link on our website. Now for a challenge.  Can you or your children find a leaf (and name the tree it came from), that Has a serrated / toothed edge Has a lobed margin Has a smooth edge / margin Is a compound, palmate leaf Is a compound, pinnate leaf Is hairy Is not green, but red or a mixture of colours Is more or less circular Is fleshy / succulent Has spines on its edges Is needle shaped Has a thick (waxy?) cuticle or is very shiny Has net venation  is marcescent (might keep you hanging around) Go forage!

The first stage to lino printing is to find inspiration. Christmas is a great time to try this craft as it can be used in Christmas cards or for printing your own wrapping paper. It's important to bear in mind that shapes are paramount with lino cutting and printing, so it's a good idea to look for distinctive shapes with clear edges. You can add in shading or marks after printing if you choose.    Winter is a great time to look for inspiration. I like to look in the woods. While walking, I look for leaf shapes or dried seed heads are my favourite. You can also draw from imagination if you prefer. Leaves like holly are fairly easy to draw with their clear defined points.    When I've collected some specimens I need to transfer them to paper so I can trace the shapes on to the lino. I'm not the best artist so after a few disappointing sketches I came up with another plan. I photocopied the leaves and seedheads by placing them on the glass of the copier and covering them with a sheet of white paper.   Bingo! They came out really well.   [caption id="attachment_39235" align="alignright" width="300"] Seed head[/caption]                   The hemlock seed heads looked a little cluttered which is tricky to create on the lino so I stripped the seeds and tried again. Important to remember some seeds, leaves etc are toxic so you need to be sensible handing them. [caption id="attachment_39246" align="aligncenter" width="675"] Tracing the leaves[/caption] Once I have the copied shapes or drawn the images I trace them onto tracing paper then flip the tracing paper and rub the back to transfer the image on to the lino. If it's not completely clear you can re draw it or draw directly on to the lino. When you have an image that you're happy with it's time to cut.   So, what will you need ? [caption id="attachment_39236" align="aligncenter" width="675"] Cutter with various nibs, plus a roller.[/caption] Lino.  This comes in different levels of density and lots of different sizes. You can purchase a selection to find out which you prefer. I buy from Etsy but there are many other available sources. Tools.  Cutting tools are small, shaped blades that fit into a handle. It takes some trial and error to find out what works for a design so good to have a spare square of lino for making practice cuts. [caption id="attachment_39238" align="aligncenter" width="675"] Cutting a flower shape[/caption] I cut my design or outline into the lino square - remember - what ever you remove will be white on the final print - and cut any detail I want with different blades. This may be trial and error and you can always come back and cut more but, obviously, cannot fill back in. Ink roller.  A small plastic or rubber coated roller, like a mini paint roller. This is the fun bit. Choose your ink colour and put a little ink on a smooth surface. I have an ink tray but you could use an old tile or similar. Roll the roller in the ink then over the design making sure it's well covered them press the lino piece onto paper or card or the other way around - pressing the paper on to the lino and run your fingers over the back to transfer the ink.  [caption id="attachment_39239" align="aligncenter" width="673"] Place ink in the tray and spread[/caption] [caption id="attachment_39240" align="aligncenter" width="675"] Evenly spread the ink on the roller and roll over the shape on the Lino[/caption] Inks   These come in every colour and shade and are water based so you can get proper messy and it all washes off. [caption id="attachment_39237" align="aligncenter" width="675"] Rolling tray and different colours of ink[/caption] It's entirely possible your creation doesn't look exactly how you wanted it to first time. It's a process where you will tailor how you draw, cut and print to get to what you want to achieve.   If you want you can add to a print with another ink colour and fill in different shape with another link cut or overlap a design or colour. There is lots of inspiration on the internet.  Designs can be simple or complicated depending on who is creating.   My daughter enjoyed making a toadstool print which was a simple shape and cut and now plans to make some Christmas cards. [caption id="attachment_39241" align="aligncenter" width="675"] Place lino onto card to print image and allow to dry.[/caption]

The bedstraws are slender, sprawling herbs that have square stems (in cross-section) and they belong to the genus GALIUM.  This genus belongs to the family RUBIACEAE, which includes the Gardenias,  Coffea (for coffee) and Cinchona (bark yields quinine = Jesuits' bark). Galium odoratum (sweet woodruff) is a woodland bedstraw, which tends to form 'a carpet' and is a perennial.  Galium aparine ( aka goosegrass, kisses, cleavers, sticky bobs, sticky willy, sweethearts and robin run the hedge) is more common and is a 'scrambler"; it is also an annual. Read more...

Most trees and shrubs that grow in temperate regions, where there are clear alternations of seasons (cold – warm, or wet – dry) produce annual rings in their stems or roots.  Annual rings come about because there is a difference in the “wood cells” (xylem : see below) formed when growth is fast, as in the Spring, or slow, as in late Autumn.  This is in marked contrast to the trees or perennials of wet, tropical forests where the climate is more uniform, as is the wood formed. Read more...

Knowlands Wood at Barcombe is a hornbeam coppice with a lot of oak, both coppice and standards. When we acquired the wood some thirty years ago, it was mostly dark and relatively lifeless, having remained largely untouched since 1945.  A retired forester volunteered to start coppicing and we started to sell logs locally.   Within a year, I saw my first White Admiral. The following July my brother, who wanted to see his first also, complained that it was the commonest species of butterfly in the wood. Read more...

At the end of the summer, the leaves should have done their job; that of making sugars to be used in growth, the formation of new twigs and branches, forming fruits and seeds.  However, winter is not conducive to photosynthesis or growth; Read more...

Come the autumn, the leaves of many deciduous trees change colour – no longer green they turn yellow, brown, red or purple.  What has happened?  Read more...